At it’s simplest in numbers.
In 2022 I did 16 film days, doing a total of 90 clips with 20 different people.
Landmarks among the way included filming the 400th clip I’d been in.
It’s been a ride, and so a little look back at each month.
I prefer to have a camera operator/videographer but this isn’t always possible (even when possible – an additional angle has benefits) and so sometimes positioning all available cameras/phones/etc has good results.
I want to share tips and pitfalls of multi camera editing
Content share shoots are extremely common.
In these two (or more) performers/creators/whatever-
The collaborative approach is also often a way to be introduced to someone else’s fanbase, which can give a publicity boost.
However, content share shoots can also be a source of frustration. For example if someone feels that what they got out of the day wasn’t representative of what they put in, or confusion over the release of clips.
There are also a lot of inexperienced chancers who try to gain kink or sex under the guise of “content share shoot”.
My following tips and suggestions are non-exhaustive. But, should help create a successful shoot.
One of the most important bits of advice I will give to anyone who is making clips is… the more you get right when shooting, the cheaper it is to edit.
Editing software is amazing, and there are so many cool features available on home computers, and even apps, which can edit, enhance or correct your clips.
I won’t say it can’t work miracles, because it can.
There are restored TV shows where someone filmed the TV screen with a projector and recorded the sound with a tape recorder in front of the TV that someone has been able to completely clean up and release as remastered and rediscovered episode.
So if someone can do that, they can get rid of the noise from the fan you left on, brighten the poorly lit room you shot in, get rid of the rubbish you left on the side, blur out a sub’s face who forgot his mask AND fix your make up – right?
It’s been a while since I did a diary post (or blog in general, sorry!) but this is one with so much adventure it feels like it shouldn’t be left out.
There is a lot of back story, so this might take some pulling together.
In 2019 there was an event called Messtival organised by Penny Banks.
Messtival was a film festival, and awards event, for splosh films.
You know when you’re at a club or party and someone catches your eye? You think, “Wow, they look amazing”, but then for any one of a million reasons you end up leaving having not said anything?
Well. That happens to me all the time.
But sometimes you end up following each other on Twitter and throw your hat in the ring when you see they’re looking at getting into filming and… boom… first film day of 2022.
I know there’s a running joke about the “Hey, we should do something someday” and the amount of time it takes to, well, do something. But, I think meeting Miss Jessica Hyde was certainly on the excessive front time wise – at 18 months.
To be fair to both of us, there was a pandemic. But the day we both met was glorious, but also a little nerve wracking.
A bit of a trinity today.
Filming with Foxtress (our third film day together), Goddess Cleo (who we’ve talked about filming a few times in the past it’s just never happened) and Mistress Annaliese (on her first ever film day).
So, it’s cosy. Probably the most people I’ve seen in one room in.. ooh… a while.
Filming, and other opportunities, through the pandemic had been sparse.
A lot felt weird to diary about, so I didn’t, but many were low risk and low key. Literally myself, the lady and a tripod.
Today we have a camera operator – so there’s 3 of us!
I don’t diary every filming day or private session (not that I’ve had a private session in a while… another story for another day) but I almost started to regret that with the pandemic and shut down.
So, the filming day I had with Georgie Girl back on March 16th didn’t get a diary post (sorry!) and it’s been 5 whole months without any filming.
Or seeing anyone.
Or leaving my hometown.
I’d put my own plans to return to filming back more than once. Either to comply with guidance or for my own concerns/safety/
I want you to imagine these scenarios
In these conversations Person A is someone making enquiries, and Person B is a Producer of a non-specific TV serial.
Obviously this is a kinda follow-on from my very popular, ‘So you want to be a film slave’ blog which I also feel is also essential to read.
Certainly a lot of points I will have missed is because they are in there.
From the top. I’m again getting a sharp rise in folk asking about “getting in” to filming.
I’m not sure if they’ve looked at what is happening in the wider society and think some of this doesn’t apply to or affect the adult industry. *But it does*
I believe that the lockdown and restrictions has had people either rue missed opportunities (there’s a lesson in there!) or perhaps felt this is where their biggest chance of getting kink going “when things resume” is.
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