Tag
fetish filming
You know when you’re at a club or party and someone catches your eye? You think, “Wow, they look amazing”, but then for any one of a million reasons you end up leaving having not said anything?
Well. That happens to me all the time.
But sometimes you end up following each other on Twitter and throw your hat in the ring when you see they’re looking at getting into filming and… boom… first film day of 2022.
I know there’s a running joke about the “Hey, we should do something someday” and the amount of time it takes to, well, do something. But, I think meeting Miss Jessica Hyde was certainly on the excessive front time wise – at 18 months.
To be fair to both of us, there was a pandemic. But the day we both met was glorious, but also a little nerve wracking.
A bit of a trinity today.
Filming with Foxtress (our third film day together), Goddess Cleo (who we’ve talked about filming a few times in the past it’s just never happened) and Mistress Annaliese (on her first ever film day).
So, it’s cosy. Probably the most people I’ve seen in one room in.. ooh… a while.
Filming, and other opportunities, through the pandemic had been sparse.
A lot felt weird to diary about, so I didn’t, but many were low risk and low key. Literally myself, the lady and a tripod.
Today we have a camera operator – so there’s 3 of us!
I don’t diary every filming day or private session (not that I’ve had a private session in a while… another story for another day) but I almost started to regret that with the pandemic and shut down.
So, the filming day I had with Georgie Girl back on March 16th didn’t get a diary post (sorry!) and it’s been 5 whole months without any filming.
Or seeing anyone.
Or leaving my hometown.
Fuck.
I’d put my own plans to return to filming back more than once. Either to comply with guidance or for my own concerns/safety/
I want you to imagine these scenarios
In these conversations Person A is someone making enquiries, and Person B is a Producer of a non-specific TV serial.
Obviously this is a kinda follow-on from my very popular, ‘So you want to be a film slave’ blog which I also feel is also essential to read.
Certainly a lot of points I will have missed is because they are in there.
From the top. I’m again getting a sharp rise in folk asking about “getting in” to filming.
I’m not sure if they’ve looked at what is happening in the wider society and think some of this doesn’t apply to or affect the adult industry. *But it does*
I believe that the lockdown and restrictions has had people either rue missed opportunities (there’s a lesson in there!) or perhaps felt this is where their biggest chance of getting kink going “when things resume” is.
I feel I’ve been a bit lax in doing the diary posts for some of the filming days and so wanted to get back on it.
I think part the problem was I was doing a lot of filming very bundled together in a short space of time. I’m not sure.
So. 2019 finished on a high with a filming day with Devon Breeze and Princess Organa to the extent that I walked out thinking “yeah, I can be done for the year – I’m happy with that”
It was almost 2 months later before my next filming day – which was filming with Miss Kendal for Fetish SINema.
After a busy May, June needed to be a little quieter. But, things for July seemed to slot neatly.
This blog covers the weekend of 4th-6th July – some further antics will be in future blogs.
I’ve already written a blog about a visit to Club DVS, although the plan for the weekend was to go down and do a little filming and go to the club, it turned into a little more.
So, it’s here. My own Femdom clipstore.
Who’d have thought it?
When I first started filming 3 years ago it was a little bit “Wouldn’t this be fun to do sometime”. Things have come a little way since then.
Of course the idea of my own store drifted in and out, but it wasn’t one I really felt I’d ever do.
“What you going to write? That we drank tea and talked?”
“Maybe I will…”
It’s funny, really. And an important reminder of the importance of doing things without set expectations and to enjoy taking things as they come.
It wasn’t an intention to go for a landmark number of clips; but, perhaps that in itself was why doing my 200th clip was so valuable.
I’d talked on and off about doing some filming with Nina Hiss – and good fortune had meant that she was available at a time I was in London anyway for a concert.