Journey and Opinions of a BDSM Kinkster

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fetish filming

10 Tips for Multi Camera Editing

I prefer to have a camera operator/videographer but this isn’t always possible (even when possible – an additional angle has benefits) and so sometimes positioning all available cameras/phones/etc has good results.

I want to share tips and pitfalls of multi camera editing

10 Tips for a Content Share Shoot

Content share shoots are extremely common.
In these two (or more) performers/creators/whatever-we’re-called-this-week come together and pool resources, share workload, and split costs in order to produce clips.
The collaborative approach is also often a way to be introduced to someone else’s fanbase, which can give a publicity boost.

However, content share shoots can also be a source of frustration. For example if someone feels that what they got out of the day wasn’t representative of what they put in, or confusion over the release of clips.

There are also a lot of inexperienced chancers who try to gain kink or sex under the guise of “content share shoot”.

My following tips and suggestions are non-exhaustive.  But, should help create a successful shoot.

Making Clips : Don’t Fix it All in the Edit

One of the most important bits of advice I will give to anyone who is making clips is… the more you get right when shooting, the cheaper it is to edit.

Editing software is amazing, and there are so many cool features available on home computers, and even apps, which can edit, enhance or correct your clips.

I won’t say it can’t work miracles, because it can.
There are restored TV shows where someone filmed the TV screen with a projector and recorded the sound with a tape recorder in front of the TV that someone has been able to completely clean up and release as remastered and rediscovered episode.

So if someone can do that, they can get rid of the noise from the fan you left on, brighten the poorly lit room you shot in, get rid of the rubbish you left on the side, blur out a sub’s face who forgot his mask AND fix your make up – right?

Diary : Messtival and Filming with Roxy-Fox and Araneae

It’s been a while since I did a diary post (or blog in general, sorry!) but this is one with so much adventure it feels like it shouldn’t be left out.

There is a lot of back story, so this might take some pulling together.

In 2019 there was an event called Messtival organised by Penny Banks.
Messtival was a film festival, and awards event, for splosh films.

Diary : Meeting Miss Cate McQueen

You know when you’re at a club or party and someone catches your eye?   You think, “Wow, they look amazing”, but then for any one of a million reasons you end up leaving having not said anything?

Well. That happens to me all the time.

But sometimes you end up following each other on Twitter and throw your hat in the ring when you see they’re looking at getting into filming and… boom… first film day of 2022.

Diary : Finding Miss Hyde

I know there’s a running joke about the “Hey, we should do something someday” and the amount of time it takes to, well, do something.   But, I think meeting Miss Jessica Hyde was certainly on the excessive front time wise – at 18 months.

To be fair to both of us, there was a pandemic.  But the day we both met was glorious, but also a little nerve wracking.

Diary : A Trinity of Filming – Foxtress, Goddess Cleo and Miss Annaliese

A bit of a trinity today.

Filming with Foxtress (our third film day together), Goddess Cleo (who we’ve talked about filming a few times in the past it’s just never happened) and Mistress Annaliese (on her first ever film day).

So, it’s cosy.  Probably the most people I’ve seen in one room in.. ooh… a while.

Diary : Filming with Miss Wildfire

Filming, and other opportunities, through the pandemic had been sparse.

A lot felt weird to diary about, so I didn’t, but many were low risk and low key.  Literally myself, the lady and a tripod.

Today we have a camera operator – so there’s 3 of us!

Diary : A Return to filming / with Goddexx Althea

I don’t diary every filming day or private session (not that I’ve had a private session in a while… another story for another day) but I almost started to regret that with the pandemic and shut down.

So, the filming day I had with Georgie Girl back on March 16th didn’t get a diary post (sorry!) and it’s been 5 whole months without any filming.

Or seeing anyone.

Or leaving my hometown.

Fuck.

I’d put my own plans to return to filming back more than once.  Either to comply with guidance or for my own concerns/safety/responsibility.

Filming isn’t a shortcut to kink

I want you to imagine these scenarios

In these conversations Person A is someone making enquiries, and Person B is a Producer of a non-specific TV serial.

So You Want to be a Film Slave (2020 Version)

Obviously this is a kinda follow-on from my very popular, ‘So you want to be a film slave’ blog which I also feel is also essential to read.

Certainly a lot of points I will have missed is because they are in there.

From the top.  I’m again getting a sharp rise in folk asking about “getting in” to filming.
I’m not sure if they’ve looked at what is happening in the wider society and think some of this doesn’t apply to or affect the adult industry.  *But it does*

I believe that the lockdown and restrictions has had people either rue missed opportunities (there’s a lesson in there!) or perhaps felt this is where their biggest chance of getting kink going “when things resume” is.

Diary : Filming with Fetish SINema

I feel I’ve been a bit lax in doing the diary posts for some of the filming days and so wanted to get back on it.

I think part the problem was I was doing a lot of filming very bundled together in a short space of time. I’m not sure.

So. 2019 finished on a high with a filming day with Devon Breeze and Princess Organa to the extent that I walked out thinking “yeah, I can be done for the year – I’m happy with that”

It was almost 2 months later before my next filming day – which was filming with Miss Kendal for Fetish SINema.

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